Milton's Lycidas: The Tradition and the PoemC. A. Patrides University of Missouri Press, 1983 - 370 páginas |
Dentro del libro
Resultados 1-3 de 33
Página 167
... called a stanza divisa . One or the other of the two parts of such a stanza might also be divided , but not usually both . If the first part was undivided it was called the fronte or brow ; if it was divided the sub - divisions were called ...
... called a stanza divisa . One or the other of the two parts of such a stanza might also be divided , but not usually both . If the first part was undivided it was called the fronte or brow ; if it was divided the sub - divisions were called ...
Página 196
... called flower passage as typical — and the reasons for their consoling power lie more deeply hidden . This passage is less accurately termed " metaphorical " than simply a portion of the poem where the great metaphors that underlie the ...
... called flower passage as typical — and the reasons for their consoling power lie more deeply hidden . This passage is less accurately termed " metaphorical " than simply a portion of the poem where the great metaphors that underlie the ...
Página 212
... called forth by a specific event . It seems , therefore , to be a poem with a strong external ref- erence . Critics who cannot approach a poem except as a personal statement of the poet's thus feel that if it says little about King , it ...
... called forth by a specific event . It seems , therefore , to be a poem with a strong external ref- erence . Critics who cannot approach a poem except as a personal statement of the poet's thus feel that if it says little about King , it ...
Contenido
Epitaphium Damonis | 14 |
On the Tradition | 31 |
On the Poem | 60 |
Derechos de autor | |
Otras 8 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
allusion answer appears associated beauty become beginning bring called Christian classical close conventional course critical dead death eclogue effect English essay experience expression fact fame feeling figure final flower follows force give heaven human idea imagery images important interpretation Italian John kind King lament language later leaves less lines literary look Lost Lycidas meaning metaphor Milton mind mourn move movement Muse nature never once opening Orpheus Paradise passage pastoral elegy pattern perhaps Peter poem poet poetic poetry possible present question reader reference relation rhyme seems sense setting shepherd sing song sound speak speaker speech stream structure Studies suggest swain symbol tear theme Theocritus things thought tion tradition true truth turn University verse Virgil vision voice whole writing