English Musical Renaissance, 1840-1940Manchester University Press, 2001 M12 7 - 330 páginas Second edition of a book which caused huge controversy in its first printing - now completely revised and updated. Argues that research into the cultural history of music can significantly help our understanding of the evolution of English national identity. Only book of its kind to cover such a revolutionary period in British music. Looks at how music reflected the privileged elite, ignoring the vast majority of 'music lovers', and was crucial in the construction of a British national identity. The second edition features a new and expanded introduction, a new chapter on Mendelssohn's Elijah - and the complete text has also been updated and revised. |
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Contenido
Renaissance and reformation 184094 | 3 |
A troubled inheritance 18951914 | 52 |
War postwar prewar more war 191440 | 83 |
Being beastly to the Hun | 115 |
Crusading for a national music | 164 |
Slaying the false prophets | 215 |
Becoming transfigured | 251 |
Conclusion | 284 |
References | 298 |
318 | |
Otras ediciones - Ver todas
English Musical Renaissance, 1840-1940 Meirion Hughes,Robert Stradling,R. A. Stradling Vista de fragmentos - 2001 |
The English musical renaissance 1860-1940: constructing a national music Meirion Hughes Sin vista previa disponible - 2001 |
Términos y frases comunes
achieved appeared artistic Bach became become BLMC Boughton British called century choral claim Collection College composer composition concert critics cultural Despite Dream of Gerontius early Edward Elgar England English Music establishment example expressed fact Festival followed Frank Bridge future G. B. Shaw German given Grove Holst House idea important influence interest land later leading least less live London major means Mendelssohn moral Musical Renaissance musicians national music never opera orchestra original Parry Pastoral performance perhaps period political popular position premiere present produced published Radio record reference regarded remained represented revival Royal School seems sense serious social Society song South Kensington spirit Stanford style success Sullivan Symphony things tion took tradition turned University Vaughan Williams whole writing wrote young
Referencias a este libro
Creativity, Communication and Cultural Value Keith Negus,Michael J Pickering,Michael Pickering Vista previa limitada - 2004 |
Ruth Gipps: Anti-modernism, Nationalism and Difference in English Music Jill Halstead Vista previa limitada - 2006 |