Enchanted Evenings: The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber

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Oxford University Press, USA, 2009 M10 30 - 446 páginas
This new second edition of Enchanted Evenings offers theater lovers an illuminating behind-the-scenes tour of some of America's best loved, most admired, and most enduring musicals.Readers will find such all-time favorites as Show Boat, Carousel, Kiss Me, Kate, Guys and Dolls, My Fair Lady, West Side Story, Sweeney Todd, Sunday in the Park with George, and Phantom of the Opera. Geoffrey Block provides a documentary history of each of the musicals, showing how each work took shape and revealing, at the same time, how the American musical evolved from the 1920s to today, both on stage and on screen. The book's particular focus is on the music, offering a wealth of detail about how librettist, lyricist, composer, and director work together to shape the piece. Block also includes trenchant social commentary and lively backstage anecdotes. Jerome Kern, Cole Porter, the Gershwins, Rodgers and Hart, Kurt Weill, Rodgers and Hammerstein, Lerner and Loewe, Frank Loesser, Leonard Bernstein, Stephen Sondheim, Andrew Lloyd Webber, and other luminaries emerge as hardworking craftsmen under enormous pressure to sell tickets without compromising their dramatic vision. The second edition includes a greatly expanded chapter on Sondheim, a new chapter on Lloyd Webber, and two new chapters on the film adaptations of the main musicals featured in the text (including such hard to find films as the original 1936 version of Anything Goes and the 1959 film adaptation of Porgy and Bess).Packed with information, including a complete discography and plot synopses and song-by-song scenic outlines for each of the fourteen shows, Enchanted Evenings is an essential reference as well as a riveting history."A solid and fascinating work that should become a model of how to investigate and report on the evolution of a musical. Block's research is persuasive and his writing vivid. . . Indispensable for anyone who cares to know more about Broadway musicals than Playbill can provide."--Steven Bach, The Los Angeles Times Book Review

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Contenido

Before Rodgers and Hammerstein
17
The Broadway Musical after Oklahoma
193
The Age of Sondheim and Lloyd Webber
333
Selected Bibliography
411
Index
425
Available online at wwwoupcomusenchantedevenings
W-1
Notes
W-73
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Geoffrey Block, Distinguished Professor of Music History at the University of Puget Sound, Tacoma, Washington, is the author of Ives: "Concord" Sonata (Cambridge, 1996) and Richard Rodgers, the inaugural volume of the Yale Broadway Masters series, for which he serves as general editor. He is also the editor of The Richard Rodgers Reader (Oxford, 2002) and the Series Editor for Oxford's new Broadway Legacies.

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