China Society Occasional Papers, Tema 8China Society London., 1955 |
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Página 1
... language in order to produce dramatic effects , without trying to conceal the fact that the language belongs to him and not to the characters . He can then seek to make his audience imagine * In choosing examples I have not confined ...
... language in order to produce dramatic effects , without trying to conceal the fact that the language belongs to him and not to the characters . He can then seek to make his audience imagine * In choosing examples I have not confined ...
Página 5
... language , I shall merely deal with one particular feature which is found both in Elizabethan and in Yuan plays— the interplay of prose and verse and of different kinds of verse . In Elizabethan drama , though blank verse is the staple ...
... language , I shall merely deal with one particular feature which is found both in Elizabethan and in Yuan plays— the interplay of prose and verse and of different kinds of verse . In Elizabethan drama , though blank verse is the staple ...
Página 7
... language , even though in verse , should bear some resemblance to actual speech , in monologue there is no need for verisimilitude , and the dramatist can be as poetic " as he likes without becoming ridiculous . This first use of ...
... language , even though in verse , should bear some resemblance to actual speech , in monologue there is no need for verisimilitude , and the dramatist can be as poetic " as he likes without becoming ridiculous . This first use of ...
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Términos y frases comunes
actor appears between Acts blank verse Burning Pestle Ch'ü character speaks character's cherry-apple blossom Chin Ch'ien CHINA SOCIETY LONDON comic CONVENTIONS IN POETIC Dido disguised Doctor Faustus DRAMA BY JAMES dramatic effect dramatic impersonation dramatist Edward the Second ELIZABETHAN AND YUAN Elizabethan drama emotional Emperor epilogue example from Yuan expression fallen leaf Game at Chess gloomy shadow hero Heroic Couplets heroine impersonal chorus induction inform the audience instance JAMES LIU Jew of Malta Jupiter kind of imagery Knight Kuei-fei lovers main action main plot Marlowe's Mi-lo Midsummer Night's Dream monologue old abbot Old Wives passages Peach-blossom Fountain POETIC DRAMA prologue in Elizabethan prose and verse recurrent image regular metre rimed romance scene singing girl SOCIETY LONDON 1955 Sophisticated Maid sorrow Spanish Tragedy speak the prologue speech represents stage lighting supposed to hear Tale Tamburlaine tells verse spoken Wu-t'ung YUAN A BRIEF Yuan drama Yuan play Yüeh-yang 劉若愚