Hypertext: The Convergence of Contemporary Critical Theory and TechnologyJohns Hopkins University Press, 1992 - 242 páginas "In this insightful and readable volume, Landow explores the relationship between contemporary literary and social theory and the latest advances in computer software."--Voice Literary Supplement. "A useful book for understanding the effect technology is having on scholarship."--Semiotic Review of Books. "Landow['s]... presentation is measured, experiential, lucid, moderate, and sensible. He merely points out that the concept hypertext' lets us test some concepts associated with critical theory, and gracefully shows how the technology is contributing to reconfigurations of text, author, narrative, and (literary) education."--Post Modern Culture. "Good news for teachers who are not too sensitive about their intellectual authority... Bad news for print culture."--Times Literary Supplement |
Dentro del libro
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Página 25
... Barbara Herrnstein Smith , for example , argues that , " by virtue of the very nature of discourse , nonlinearity is the rule rather than the exception in narrative accounts . ' " 26 Since I shall return to the question of linear and ...
... Barbara Herrnstein Smith , for example , argues that , " by virtue of the very nature of discourse , nonlinearity is the rule rather than the exception in narrative accounts . ' " 26 Since I shall return to the question of linear and ...
Página 107
... Barbara Herrnstein Smith explains that in literary works that employ logical or temporal organization , “ the dislocation or omission of any element will tend to make the sequence as a whole incomprehensible , or will radically change ...
... Barbara Herrnstein Smith explains that in literary works that employ logical or temporal organization , “ the dislocation or omission of any element will tend to make the sequence as a whole incomprehensible , or will radically change ...
Página 118
... Barbara Herrnstein Smith reminds us that " the end of the play or novel will not appear as an arbitrary cut - off if it leaves us at a point where , with respect to the themes of the work , we feel that we know all there is or all there ...
... Barbara Herrnstein Smith reminds us that " the end of the play or novel will not appear as an arbitrary cut - off if it leaves us at a point where , with respect to the themes of the work , we feel that we know all there is or all there ...
Contenido
Hypertext and the Aristotelian Conception of Plot | 101 |
Reconfiguring Literary Education Threats and Promises | 120 |
An Openended Conclusion | 202 |
Derechos de autor | |
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Otras ediciones - Ver todas
Hypertext: The Convergence of Contemporary Critical Theory and Technology George P. Landow Vista de fragmentos - 1992 |
Hypertext: The Convergence of Contemporary Critical Theory and Technology George P. Landow Sin vista previa disponible - 1992 |
Términos y frases comunes
academic active appears argues Austen authorship Barbara Herrnstein Smith Barthes Barthes's beginning Brown University Bush canon changes collaborative concept concept map connections contemporary context course created critical theory culture Derrida Dickens documents Douglas Engelbart effects electronically linked encountered English example exist experience graphic Gregory Ulmer human hyper HyperCard hypermedia Hypertext and Critical hypertext fiction hypertext systems individual information technology Intermedia Jameson kind Landow language learning lexias linear literature machines main text manuscript Marxist materials McLuhan means memex Memoriam ment metatext multiple narrative Nigeria Norman Meyrowitz notion novel OV Mon Feb overview particular passage permits poem Politics of Hypertext print technology printed text problem produce provides reader reader-author reading Robert Coover role Sarla's Aspirations scholarly Soyinka suggests teaching textuality thought tion University Press Vannevar Bush Victorian visual Wole Soyinka writing York