The New Pelican Guide to English Literature: The age of ShakespeareBoris Ford Penguin Books, 1982 - 576 páginas V.1. pt. 1. Medieval literature : Chaucer and the alliterative tradition. pt. 2. Medieval literature : the European inheritance -- v.2. The age of Shakespeare - - v.3. From Donne to Marvell -- v.4. From Dryden to Johnson -- v.5. From Blake to Byron -- v.6. From Dickens to Hardy -- v.7. From James to Elliot -- v.8. The present -- v.9. American literature. |
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Página 104
... death as a subject for the theatre . The thought of death was a gathering point for their fears and ambitions , a theme where every writer could be eloquent and moving , particularly with the example of Seneca before him . Even a ...
... death as a subject for the theatre . The thought of death was a gathering point for their fears and ambitions , a theme where every writer could be eloquent and moving , particularly with the example of Seneca before him . Even a ...
Página 106
... death - in - life of Macbeth ) , and he expresses the grandeur of defi- ance . But his attitude to death is more balanced than his contem- poraries ' because his sense of life is keener and more inclusive . He imagines more , and more ...
... death - in - life of Macbeth ) , and he expresses the grandeur of defi- ance . But his attitude to death is more balanced than his contem- poraries ' because his sense of life is keener and more inclusive . He imagines more , and more ...
Página 191
... death , till death do come , O Till death , till death do come , till till- death do d come , dark - ness let me dwell . P d.
... death , till death do come , O Till death , till death do come , till till- death do d come , dark - ness let me dwell . P d.
Términos y frases comunes
action appears audience called Cambridge century Chapman characters classical close comedy common contrast court critics death drama edition effect elements Elizabethan England English English Studies especially Essays example experience expression feeling figure final force give Hamlet hand hero human humour imagination important interest Italy Jonson kind King language later Lear learning less lines literary literature living London means mind moral nature night notes once passion period play plot poem poet poetic poetry political popular present printing Queene reader reason relation Renaissance rhetoric romantic satire scene seems sense Shakespeare Sidney social Sonnets speech Spenser stage Studies suggests theatre theme things Thou thought tradition tragedy true turn University verse whole writing York
Referencias a este libro
Gothic Motifs in the Fiction of William Gibson Tatiani G. Rapatzikou Sin vista previa disponible - 2004 |
Anarchist Seeds Beneath the Snow: Left-libertarian Thought and British ... David Goodway Vista previa limitada - 2006 |