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well be praised in Socrates; but such as these might singly be attributed to others. But that which is unparalleled in Socrates, is, that he is unlike, and above comparison, with all other men, whether those who have lived in ancient times, or those who exist now. For it may be conjectured, that Brasidas and many others are such as was Achilles. Pericles deserves comparison with Nestor and Antenor; and other excellent persons of various times may, with probability, be drawn into comparison with each other. But to such a singular man as this, both himself and his discourses being so uncommon, no one, should he seek, would find a parallel among the present or the past generations of mankind; unless they should say that he resembled those with whom I lately compared him, for, assuredly, he and his discourses are like nothing but the Sileni and the Satyrs. At first I forgot to make you observe how like his discourses are to those Satyrs when they are opened, for, if any one will listen to the talk of Socrates, it will appear to him at first extremely ridiculous; the phrases and expressions which he employs, fold around his exterior the skin, as it were, of a rude and wanton Satyr. He is always talking about great marketasses, and brass-founders, and leather-cutters, and skin-dressers; and this is his perpetual custom, so that any dull and unobservant person might easily laugh at his discourse. But if any one should see it opened, as it were, and get within the sense of his words, he would then find that they alone of all that enters into the mind of man to utter, had a profound and persuasive meaning, and that they were most divine; and that they presented to the mind innumerable images of every excellence, and that they tended towards objects of the highest moment, or rather towards all, that he who seeks the possession of what is supremely beautiful and good, need regard as essential to the accomplish ment of his ambition.

"These are the things, my friends, for which I praise Socrates."

Alcibiades having said this, the whole party burst into a laugh at his frankness, and Socrates said, "You seem to be sober enough, Alcibiades, else you would not have made such a circuit of words, only to hide the main design for which you made this long speech, and which, as it were carelessly, you just throw in at the last; now, as if you had not said all this for the mere purpose of dividing me and Agathon? You think that I ought to be your friend, and to care for no one else. I have found you out; it is evident enough for what

design you invented all this Satyrical and Silenc drama. But, my dear Agathon, do not let his device succeed. I entreat you to permit no one to throw discord between us."-"No doubt," said Agathon, "he sate down between us only that he might divide us; but this shall not assist his scheme, for I will come and sit near you."-" Do so," said Socrates, "come, there is room for you by me.”— "Oh, Jupiter!" exclaimed Alcibiades, "what I endure from that man! He thinks to subdue every way; but, at least, I pray you, let Agathon remain between us."—" Impossible," said Socrates, “you have just praised me; I ought to praise him sitting at my right hand. If Agathon is placed beside you, will he not praise me before I praise him! Now, my dear friend, allow the young man to receive what praise I can give him. I have a great desire to pronounce his encomium."-"Quick, quick, Alcibiades," said Agathon, "I cannot stay here, I must change my place, or Socrates will not praise me."-Agathon then arose to take his place near Socrates.

He had no sooner reclined than there came in a number of revellers-for some one who had gone out had left the door open-and took their places on the vacant couches, and everything became full of confusion; and no order being observed, every one was obliged to drink a great quantity of wine. Eryximachus, and Phædrus, and some others, said Aristodemus went home to bed; that, for his part, he went to sleep on his couch, and slept long and soundly the nights were then long-until the cock crew in the morning. When he awoke he found that some were still fast asleep, and others had gone home, and that Aristophanes, Agathon, and Socrates had alone stood it out, and were still drinking out of a great goblet which they passed round and round. Socrates was disputing between them. The beginning of their discussion Aristodemus said that he did not recollect, because he was asleep; but it was terminated by Socrates forcing them to confess, that the same person is able to compose both tragedy and comedy, and that the foundations of the tragic and comic arts were essentially the same. They, rather convicted than convinced, went to sleep. Aristophanes first awoke, and then, it being broad daylight, Agathon. Socrates, having put them to sleep, went away, Aristodemus following him, and coming to the Lyceum he washed himself, as he would have done anywhere else, and after having spent the day there in his accustomed manner, went home in the evening.

ON LOVE.

WHAT is love? Ask him who lives, what is life? ask him who adores, what is God?

I know not the internal constitution of other men, nor even thine, whom I now address. I see that in some external attributes they resemble me, but when, misled by that appearance, I have thought to appeal to something in common, and unburthen my inmost soul to them, I have found my language misunderstood, like one in a distant and savage land. The more opportunities they have afforded me for experience, the wider has appeared the interval between us, and to a greater distance have the points of sympathy been withdrawn. With a spirit ill fitted to sustain such proof, trembling and feeble through its tenderness, I have everywhere sought sympathy, and have found only repulse and disappointment.

Thou demandest what is love? It is that powerful attraction towards all that we conceive, or fear, or hope beyond ourselves, when we find within our own thoughts the chasm of an insufficient void, and seek to awaken in all things that are, a community with what we experience within ourselves. If we reason, we would be understood; if we imagine, we would that the airy children of our brain were born anew within another's; if we feel, we would that another's nerves should vibrate to our own, that the beams of their eyes should kindle at once and mix and melt into our own, that lips of motionless ice should not reply to lips quivering and burning with the heart's best blood. This is Love. This is the bond and the sanction which connects not only man with man, but with every thing which exists. We are born into the world, and there is something within us which, from the instant that we live, more and more thirsts after its likeness. It is probably in correspondence with this law that the infant drains milk from the bosom of its mother; this propensity develops itself with the development of our nature. We dimly see within our intellectual nature a miniature as it were of our entire self, yet deprived of all that we condemn or despise, the ideal prototype of every thing excellent or lovely that we are capable of conceiving as belonging to the

nature of man. Not only the portrait of our external being, but an assemblage of the minutest particles of which our nature is composed*; a mirror whose surface reflects only the forms of purity and brightness; a soul within our soul that describes a circle around its proper paradise, which pain, and sorrow, and evil dare not overleap. To this we eagerly refer all sensations, thirsting that they should resemble or correspond with it. The discovery of its antitype; the meeting with an understanding capable of clearly estimating our own; an imagination which should enter into and seize upon the subtle and delicate peculiarities which we have delighted to cherish and unfold in secret; with a frame whose nerves, like the chords of two exquisite lyres, strung to the accompaniment of one delightful voice, vibrate with the vibrations of our own; and of a combination of all these in such proportion as the type within demands; this is the invisible and unattainable point to which Love tends; and to attain which, it urges forth the powers of man to arrest the faintest shadow of that, without the possession of which there is no rest nor respite to the heart over which it rules. Hence in solitude, or in that deserted state when we are surrounded by human beings, and yet they sympathise not with us, we love the flowers, the grass, and the waters, and the sky. In the motion of the very leaves of spring, in the blue air, there is then found a secret correspondence with our heart. There is eloquence in the tongueless wind, and a melody in the flowing brooks and the rustling of the reeds beside them, which by their inconceivable relation to something within the soul, awaken the spirits to a dance of breathless rapture, and bring tears of mysterious tenderness to the eyes, like the enthusiasm of patriotic success, or the voice of one beloved singing to you alone. Sterne says that, if he were in a desert, he would love some cypress. So soon as this want or power is dead, man becomes the living sepulchre of himself, and what yet survives is the mere husk of

what once he was.

*These words are ineffectual and metaphorical. Most words are so-No help!

THE COLISEUM.

A Fragment.

AT the hour of noon, on the feast of the Passover, an old man, accompanied by a girl, apparently his daughter, entered the Coliseum at Rome. They immediately passed through the Arena, and seeking a solitary chasm among the arches of the southern part of the ruin, selected a fallen column for their seat, and clasping each other's hands, sate as in silent contemplation of the scene. But the eyes of the girl were fixed upon her father's lips, and his countenance, sublime and sweet, but motionless as some Praxitelean image of the greatest of poets, filled the silent air with smiles, not reflected from external forms.

It was the great feast of the Resurrection, and the whole native population of Rome, together with all the foreigners who flock from all parts of the earth to contemplate its celebration, were assembled round the Vatican. The most awful religion of the world went forth surrounded by emblazonry of mortal greatness, and mankind had assembled to wonder at and worship the creations of their own power. No straggler was to be met with in the streets and grassy lanes which led to the Coliseum. The father and daughter had sought this spot immediately on their arrival.

A figure, only visible at Rome in night or solitude, and then only to be seen amid the desolated temples of the Forum, or gliding among the weedgrown galleries of the Coliseum, crossed their path. His form, which, though emaciated, displayed the elementary outlines of exquisite grace, was enveloped in an ancient chlamys, which half concealed his face; his snow-white feet were fitted with ivory sandals, delicately sculptured in the likeness of two female figures, whose wings met upon the heel, and whose eager and half-divided lips seemed quivering to meet. It was a face, once seen, never to be forgotten. The mouth and the moulding of the chin resembled the eager and impassioned tenderness of the statues of Antinous; but instead of the effeminate sullenness of the eye, and the narrow smoothness of the forehead, shone an expression of profound and piercing thought; the brow was clear and open, and his eyes deep, like two wells of crystalline water which reflect the all-beholding heavens. Over all was spread a timid expression of womanish tenderness and hesitation, which contrasted, yet intermingled strangely, with

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the abstracted and fearless character that predominated in his form and gestures.

He avoided, in an extraordinary degree, all communication with the Italians, whose language he seemed scarcely to understand, but was occasionally seen to converse with some accomplished foreigner, whose gestures and appearance might attract him amid his solemn haunts. He spoke Latin, and especially Greek, with fluency, and with a peculiar but sweet accent; he had apparently acquired a knowledge of the northern languages of Europe. There was no circumstance connected with him that gave the least intimation of his country, his origin, or his occupation. His dress was strange, but splendid and solemn. He was forever alone. The literati of Rome thought him a curiosity, but there was something in his manner unintelligible but impressive, which awed their obtrusions into distance and silence. The countrymen, whose path he rarely crossed, returning by starlight from their market at Campo Vaccine, called him, with that strange mixture of religions and historical ideas so common in Italy, Il Diavolo di Bruto.

Such was the figure which interrupted the contemplations, if they were so engaged, of the strangers, by addressing them in the clear, and exact, but unidiomatic phrases of their native language :-"Strangers, you are two; behold the third in this great city, to whom alone the spectacle of these mighty ruins is more delightful than the mockeries of a superstition which destroyed them."

"I see nothing," said the old man.
"What do you here, then?"

"I listen to the sweet singing of the birds, and the sound of my daughter's breathing composes me like the soft murmur of water and I feel the sunwarm wind—and this is pleasant to me."

"Wretched old man, know you not that these are the ruins of the Coliseum ?"—

"Alas! stranger," said the girl, in a voice like mournful music, "speak not so-he is blind.”— The stranger's eyes were suddenly filled with tears, and the lines of his countenance became relaxed. "Blind !" he exclaimed, in a tone of suffering, which was more than an apology; and | seated himself apart on a flight of shattered and

mossy stairs which wound up among the labyrinths of the ruin.

"My sweet Helen," said the old man, ❝ you did not tell me that this was the Coliseum ?"

"How should I tell you, dearest father, what I knew not? I was on the point of enquiring the way to that building, when we entered this circle of ruins, and, until the stranger accosted us, I remained silent, subdued by the greatness of what I see."

You

"It is your custom, sweetest child, to describe to me the objects that give you delight. array them in the soft radiance of your words, and whilst you speak I only feel the infirmity which holds me in such dear dependence, as a blessing. Why have you been silent now ?"

"I know not-first the wonder and pleasure of the sight, then the words of the stranger, and then thinking on what he had said, and how he had looked-and now, beloved father, your own words."

Well, tell me now, what do you see?"

"I see a great circle of arches built upon arches, and shattered stones lie around, that once made a part of the solid wall. In the crevices, and on the vaulted roofs, grow a multitude of shrubs, the wild olive and the myrtle-and intricate brambles, and entangled weeds and plants I never saw before. The stones are immensely massive, and they jut out one from the other. There are terrible rifts in the wall, and broad windows through which you see the blue heaven. There seems to be more than a thousand arches, some ruined, some entire, and they are all immensely high and wide. Some are shattered, and stand forth in great heaps, and the underwood is tufted on their crumbling summits. Around us lie enormous columns, shattered and shapeless and fragments of capitals and cornice, fretted with delicate sculptures."

"It is open to the blue sky?" said the old man. "Yes. We see the liquid depth of heaven above through the rifts and the windows; and the flowers, and the weeds, and the grass and creeping moss, are nourished by its unforbidden rain. The blue sky is above the wide, bright, blue sky-it flows through the great rents on high, and through the bare boughs of the marble rooted fig-tree, and through the leaves and flowers of the weeds, even to the dark arcades beneath. I see I feel its clear and piercing beams fill the universe, and impregnate the joy-inspiring wind with life and light, and casting the veil of its splendour over all things-even me. Yes, and through the highest rift the noonday waning moon is hanging, as it were, out of the solid sky, and this shows that the atmosphere has all the clearness which it rejoices me that you feel." "What else see you?"

"Nothing." "Nothing?"

"Only the bright-green mossy ground, speckled by tufts of dewy clover-grass that run into the interstices of the shattered arches, and round the isolated pinnacles of the ruin."

"Like the lawny dells of soft short grass which wind among the pine forests and precipices in the Alps of Savoy?"

"Indeed, father, your eye has a vision more serene than mine."

"And the great wrecked arches, the shattered masses of precipitous ruin, overgrown with the younglings of the forest, and more like chasms rent by an earthquake among the mountains, than like the vestige of what was human workmanship what are they?"

"Things awe-inspiring and wonderful."

"Are they not caverns such as the untamed elephant might choose, amid the Indian wilderness, wherein to hide her cubs; such as, were the sea to overflow the earth, the mightiest monsters of the deep would change into their spacious chambers?"

"Father, your words image forth what I would have expressed, but, alas! could not."

"I hear the rustling of leaves, and the sound of waters, but it does not rain,--like the fast drops of a fountain among woods."

"It falls from among the heaps of ruin over our heads-it is, I suppose, the water collected in the rifts by the showers."

"A nursling of man's art, abandoned by his care, and transformed by the enchantment of Nature into a likeness of her own creations, and destined to partake their immortality! Changed into a mountain cloven with woody dells, which overhang its labyrinthine glades, and shattered into toppling precipices. Even the clouds, intercepted by its craggy summit, feed its eternal fountains with their rain. By the column on which I sit, I should judge that it had once been crowned by a temple or a theatre, and that on sacred days the multitude wound up its craggy path to spectacle or the sacrifice—It was such itself!

Helen, what sound of wings is that?”

*Nor does a recollection of the use to which it may have been destined interfere with these emotions. Time has thrown its purple shadow athwart this scene, and no more is visible than the broad and everlasting character of human strength and genius, that pledge of all that is to be admirable and lovely in ages yet to come. Solemn temples, where the senate of the world assembled, palaces, triumphal arches, and cloud-surrounded columns, loaded with the sculptured annals of conquest and dominationwhat actions and deliberations have they been destined to enclose and commemorate? Superstitious rites, which in their mildest form, outrage reason, and obscure the moral sense of mankind; schemes for wide-extended murder,

"It is the wild pigeons returning to their young. Do you not hear the murmur of those that are brooding in their nests ?"

"Ay, it is the language of their happiness. They are as happy as we are, child, but in a different manner. They know not the sensations which this ruin excites within us. Yet it is pleasure to them to inhabit it; and the succession of its forms as they pass, is connected with associations in their minds, sacred to them, as these to us. The internal nature of each being is surrounded by a circle, not to be surmounted by his fellows; and it is this repulsion which constitutes the misfortune of the condition of life. But there is a circle which comprehends, as well as one which mutually excludes, all things which feel. And, with respect to man, his public and his private happiness consist in diminishing the circumference which includes those resembling himself, until they become one with him, and he with them. It is because we enter into the meditations, designs and destinies of something beyond ourselves, that the contemplation of the ruins of human power excites an elevating sense of awfulness and beauty. It is therefore that the ocean, the glacier, the cataract, the tempest, the volcano, have each a spirit which animates the extremities of our frame with tingling joy. It is therefore that the singing of birds, and the motion of leaves, the sensation of the odorous earth beneath, and the freshness of the living wind around, is sweet. And this is Love. This is the religion of eternity, whose votaries have been exiled from among the multitude of mankind. Power!" cried the old man, lifting his sightless eyes towards the undazzling sun, "thou which interpenetratest all things, and without which this glorious world were a blind and formless chaos, Love, Author of Good, God, King, Father! Friend of these thy worshippers! Two solitary hearts invoke thee, may they be divided never! If the contentions of mankind have been their misery; if to give and seek that happiness which thou art, has been their choice and destiny; if, in the contemplation of these majestic records of the power of their kind, they see the shadow

and devastation, and misrule, and servitude; and, lastly, these schemes brought to their tremendous consummations, and a human being returning in the midst of festival and solemn joy, with thousands and thousands of his enslaved and desolated species chained behind his chariot, exhibiting, as titles to renown, the labour of ages, and the admired creations of genius, overthrown by the brutal force, which was placed as a sword within his hand, and, contemplation fearful and abhorred !---he himself a being capable of the gentlest and best emotions, inspired with the persuasion that he has done a virtuous deed! We do not forget these things. **

and the prophecy of that which thou mayst have decreed that he should become; if the justice, the liberty, the loveliness, the truth, which are thy footsteps, have been sought by them, divide them not! It is thine to unite, to eternize; to make outlive the limits of the grave those who have left among the living, memorials of thee. When this frame shall be senseless dust, may the hopes, and the desires, and the delights which animate it now, never be extinguished in my child; even as, if she were borne into the tomb, my memory would be the written monument of all her nameless excellences!"

The old man's countenance and gestures, radiant with the inspiration of his words, sunk, as he ceased, into more than its accustomed calmness, for he heard his daughter's sobs, and remembered that he had spoken of death.-"My father, how can I outlive you?" said Helen.

"Do not let us talk of death," said the old man, suddenly changing his tone. "Heraclitus, indeed, died at my age, and if I had so sour a disposition, there might be some danger. But Democritus reached a hundred and twenty, by the mere dint of a joyous and unconquerable mind. He only died at last, because he had no gentle and beloved ministering spirit, like my Helen, for whom it would have been his delight to live. You remember his gay old sister requested him to put off starving himself to death until she had returned from the festival of Ceres; alleging, that it would spoil her! holiday if he refused to comply, as it was not permitted to appear in the procession immediately after the death of a relation; and how good-ternperedly the sage acceded to her request.”

The old man could not see his daughter's grateful smile, but he felt the pressure of her hand by which it was expressed.-" In truth," he continued," that mystery, death, is a change which neither for ourselves nor for others is the just object of hope or fear. We know not if it be good or evil, we only know, it is. The old, the young, may alike die; no time, no place, no age, no foresight, exempts us from death, and the chance of death. We have no knowledge, if death be a state of sensation, of any precaution that can make those sensations fortunate, if the existing series of events shall not produce that effect. Think not of death, or think of it as something common to us all. It has hagpened," said he, with a deep and suffering voice, | "that men have buried their children."

"Alas! then, dearest father, how I pity you. Let us speak no more."

They arose to depart from the Coliseum, but the figure which had first accosted them interposed itself:-"Lady," he said, "if grief be an expiation

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