John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 82
... America at that time . It could also be classi- fied as an early Cage " play " in a distinguished theatrical career . Though Cage was to my mind a major American prose writer , you won't find his name in any history of American lit ...
... America at that time . It could also be classi- fied as an early Cage " play " in a distinguished theatrical career . Though Cage was to my mind a major American prose writer , you won't find his name in any history of American lit ...
Seite 116
... American writing today , it is scarcely surpris- ing that they are rarely discussed by " poetry critics ” and never mentioned in the current surveys of American literature . Notwithstanding his advocacy of " chance " and artistic ...
... American writing today , it is scarcely surpris- ing that they are rarely discussed by " poetry critics ” and never mentioned in the current surveys of American literature . Notwithstanding his advocacy of " chance " and artistic ...
Seite 119
... American tradition of poetry that realizes an eccentric innovation in the machinery of the art - a radical change not in meaning or in sensibility but in the materials indigenous to poetry : language , line , syntax , and meter . ( In ...
... American tradition of poetry that realizes an eccentric innovation in the machinery of the art - a radical change not in meaning or in sensibility but in the materials indigenous to poetry : language , line , syntax , and meter . ( In ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York