John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 55
... Cage's work with the solo prepared piano , which had been his initial musical invention a decade before . Essentially , into the bed of piano strings he put a panoply of devices that transformed the sound of the piano strings . What ...
... Cage's work with the solo prepared piano , which had been his initial musical invention a decade before . Essentially , into the bed of piano strings he put a panoply of devices that transformed the sound of the piano strings . What ...
Seite 118
... Cage's opening stanza reads : wroth with twone nathandJoe A Malt jhEm Shen It is a simple measure of Cage's originality that nobody ever made poetry like this before - the method is , like so much of his work , at once sensible and ...
... Cage's opening stanza reads : wroth with twone nathandJoe A Malt jhEm Shen It is a simple measure of Cage's originality that nobody ever made poetry like this before - the method is , like so much of his work , at once sensible and ...
Seite 177
... Cage's Freeman Etudes ( 32 ) and the Arditti Quartet's classic disc of Cage's String Quartets ( 17 ) . Of the dozens of Cage discs issued since my once - defini- tive discography , the best I can say is that it is gratifying to see ...
... Cage's Freeman Etudes ( 32 ) and the Arditti Quartet's classic disc of Cage's String Quartets ( 17 ) . Of the dozens of Cage discs issued since my once - defini- tive discography , the best I can say is that it is gratifying to see ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York