John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 36
... Cagean score from this period is a field of visibly independent aggregates that can be played in any order ; and further to eschew the possibility of a structural climax , the pages of Winter Music ( 1957 ) , for instance , are ...
... Cagean score from this period is a field of visibly independent aggregates that can be played in any order ; and further to eschew the possibility of a structural climax , the pages of Winter Music ( 1957 ) , for instance , are ...
Seite 49
... Cagean masterpieces have in com- mon is a grandness of conception - they take a single idea and explore it exhaustively , at length . As Cage said in another con- text , " What we want now is quantity ; we get quality automat- ically ...
... Cagean masterpieces have in com- mon is a grandness of conception - they take a single idea and explore it exhaustively , at length . As Cage said in another con- text , " What we want now is quantity ; we get quality automat- ically ...
Seite 170
... Cagean ways . For many fans of competitive running and jumping , the annual Millrose Games is the apex of the New York City indoor - track season ; for me it is the epitome of nonhierarchic , noncentered Cagean performance . The floor ...
... Cagean ways . For many fans of competitive running and jumping , the annual Millrose Games is the apex of the New York City indoor - track season ; for me it is the epitome of nonhierarchic , noncentered Cagean performance . The floor ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York