John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 71
... David Tudor and Earle Brown , we made several pieces — one by Earle , one by me , one by Christian Wolff and one by Morton Feldman , with funding from Paul Williams . I made the Williams Mix then . All of that work was done with ...
... David Tudor and Earle Brown , we made several pieces — one by Earle , one by me , one by Christian Wolff and one by Morton Feldman , with funding from Paul Williams . I made the Williams Mix then . All of that work was done with ...
Seite 79
... David Tudor , by that time a veteran Cage collaborator , was playing miscellaneous sections from his parts for Cage's Concert for Piano and Orchestra ( 1957-1958 ) , occasionally playing as well prerecorded tape from another Cage ...
... David Tudor , by that time a veteran Cage collaborator , was playing miscellaneous sections from his parts for Cage's Concert for Piano and Orchestra ( 1957-1958 ) , occasionally playing as well prerecorded tape from another Cage ...
Seite 81
Richard Kostelanetz. David Tudor , so to speak . The paragraph - long story was a form , a constraint , that Cage mastered , much as he would lat- er master the mesostic . The texts for many of these stories may be found in Cage's first ...
Richard Kostelanetz. David Tudor , so to speak . The paragraph - long story was a form , a constraint , that Cage mastered , much as he would lat- er master the mesostic . The texts for many of these stories may be found in Cage's first ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York