John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 117
... word " nathandjoe , " Cage took out that word and then , by a decision of taste , decided to take as well the three adjacent words to the left of it ( ignoring those to the right ) . For the a of " James ” 117 EMPTY WORDS ( 1974-1975 )
... word " nathandjoe , " Cage took out that word and then , by a decision of taste , decided to take as well the three adjacent words to the left of it ( ignoring those to the right ) . For the a of " James ” 117 EMPTY WORDS ( 1974-1975 )
Seite 119
... Empty Words and Writings Through Finnegans Wake are language - based , they fit snugly into the great American tradition of poetry that realizes an eccentric innovation in the machinery of the art - a radical ... EMPTY Words ( 1974-1975 )
... Empty Words and Writings Through Finnegans Wake are language - based , they fit snugly into the great American tradition of poetry that realizes an eccentric innovation in the machinery of the art - a radical ... EMPTY Words ( 1974-1975 )
Seite 123
... Empty Words , we have no sentences . Though they did exist in Mureau , now they're gone . In the second one , the phrases are gone , and in the third part the words are gone , except those that have only one ... EMPTY WORDS ( 1974-1975 )
... Empty Words , we have no sentences . Though they did exist in Mureau , now they're gone . In the second one , the phrases are gone , and in the third part the words are gone , except those that have only one ... EMPTY WORDS ( 1974-1975 )
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York