John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 9
... Erik Satie did a few decades before . In addition to generating unusual noises , the prepared piano gives the performer less control over the sounds that are finally produced - bolts and nuts , alas , are not as precise as tuned strings ...
... Erik Satie did a few decades before . In addition to generating unusual noises , the prepared piano gives the performer less control over the sounds that are finally produced - bolts and nuts , alas , are not as precise as tuned strings ...
Seite 113
... Erik Satie ) . The shape functions as a prescription for the production of sound : “ Let the upper and lower extremes for the symmetrical shape relate to the upper and lower extremes of voice register . Let horizon- tal space relate to ...
... Erik Satie ) . The shape functions as a prescription for the production of sound : “ Let the upper and lower extremes for the symmetrical shape relate to the upper and lower extremes of voice register . Let horizon- tal space relate to ...
Seite 154
... Erik Satie , Marcel Duchamp : An Alphabet " consists of mesos- tics that Cage wrote out of his own head on the names of these three heroes , all of whom , in Cage's curious judgment , have made works that " resisted the march of ...
... Erik Satie , Marcel Duchamp : An Alphabet " consists of mesos- tics that Cage wrote out of his own head on the names of these three heroes , all of whom , in Cage's curious judgment , have made works that " resisted the march of ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York