John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 138
... Europera were scaled down into “ chamber versions " : Europeras 3 , 4 , and 5. While the work is audaciously original , it is neither hermetic nor arcane ; one could imagine it becom- ing part of the standard operatic repertoire ...
... Europera were scaled down into “ chamber versions " : Europeras 3 , 4 , and 5. While the work is audaciously original , it is neither hermetic nor arcane ; one could imagine it becom- ing part of the standard operatic repertoire ...
Seite 139
... Europera is likely to prompt an impressive variety of interpretations . What Europera is finally about , to my mind , is the cul- ture of opera , Cage's work being , from its transcriptions of phrases to its libretti , at once a homage ...
... Europera is likely to prompt an impressive variety of interpretations . What Europera is finally about , to my mind , is the cul- ture of opera , Cage's work being , from its transcriptions of phrases to its libretti , at once a homage ...
Seite 143
... Europera begs to be compared with his other big pieces such as Roaratorio and HPSCHD , whose premiere was in a sixteen - thousand - seat basketball arena at the University of Illinois . To my mind , as a veteran Cage - watcher , Europera ...
... Europera begs to be compared with his other big pieces such as Roaratorio and HPSCHD , whose premiere was in a sixteen - thousand - seat basketball arena at the University of Illinois . To my mind , as a veteran Cage - watcher , Europera ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York