John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 101
... Hiller realized three differ- ent fixed versions of the fragments , two of which incorporated other passages from Mozart . Two more harpsichordists , Neely Bruce and Yuji Takahashi , played through differing but individ- ually fixed ...
... Hiller realized three differ- ent fixed versions of the fragments , two of which incorporated other passages from Mozart . Two more harpsichordists , Neely Bruce and Yuji Takahashi , played through differing but individ- ually fixed ...
Seite 104
... Hiller could use facilities Ives never had - tape recorders , amplifiers , loudspeakers , motion - picture and slide projectors— to distribute their chaotic art all over an enormous space ; and in the increased quantity was a particular ...
... Hiller could use facilities Ives never had - tape recorders , amplifiers , loudspeakers , motion - picture and slide projectors— to distribute their chaotic art all over an enormous space ; and in the increased quantity was a particular ...
Seite 161
... Hiller ; Her- bert Brün ; James Cuomo and his band ; another jazz band ; David Tudor and Gordon Mumma ; Norma Marder giving a voice recital , sometimes accompanying a dancer , Ruth Emerson ; the mime Claude Kipnis , who responded with a ...
... Hiller ; Her- bert Brün ; James Cuomo and his band ; another jazz band ; David Tudor and Gordon Mumma ; Norma Marder giving a voice recital , sometimes accompanying a dancer , Ruth Emerson ; the mime Claude Kipnis , who responded with a ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York