John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 23
... Jasper Johns and Robert Rauschenberg , Cage influenced many tendencies in con- temporary painting , including the penchant for mixing artistic media , as in Rauschenberg's " combines , " and the rationale informing " minimal " painting ...
... Jasper Johns and Robert Rauschenberg , Cage influenced many tendencies in con- temporary painting , including the penchant for mixing artistic media , as in Rauschenberg's " combines , " and the rationale informing " minimal " painting ...
Seite 105
... Jasper Johns , both of whom became his per- sonal friends , in addition to countless passing acquaintances and even strangers . The common opinion holds that no other individual has had as much influence upon advanced visual art ...
... Jasper Johns , both of whom became his per- sonal friends , in addition to countless passing acquaintances and even strangers . The common opinion holds that no other individual has had as much influence upon advanced visual art ...
Seite 106
... Jasper Johns introduced in the 1970s . Finally , the visual arts world was always predisposed to appreciate the exquisite cal- ligraphy of Cage's musical scores , many of which were exhibit- ed at the Stable Gallery in New York in 1958 ...
... Jasper Johns introduced in the 1970s . Finally , the visual arts world was always predisposed to appreciate the exquisite cal- ligraphy of Cage's musical scores , many of which were exhibit- ed at the Stable Gallery in New York in 1958 ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York