John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 12
... Jill Johnston commented , " and does not depend for its value on its place within a system of sounds . " Imaginary Landscape No. 4 is composed for twelve radios and twenty - four performers , one for each station - selecting dial , the ...
... Jill Johnston commented , " and does not depend for its value on its place within a system of sounds . " Imaginary Landscape No. 4 is composed for twelve radios and twenty - four performers , one for each station - selecting dial , the ...
Seite 31
... Jill Johnston , its dance critic at the time , responded that such bowdlerization would be comparable to " the Bible without God . " In truth , Cage could have written more , and probably earned more , had he not spent so much of his ...
... Jill Johnston , its dance critic at the time , responded that such bowdlerization would be comparable to " the Bible without God . " In truth , Cage could have written more , and probably earned more , had he not spent so much of his ...
Seite 89
... Jill Johnston has accurately explained : [ It ] refers to a projected rendezvous , with friends in Mexico , but who could say what would happen a year from Monday , much less a year from Tuesday , another day of interrupted designs ...
... Jill Johnston has accurately explained : [ It ] refers to a projected rendezvous , with friends in Mexico , but who could say what would happen a year from Monday , much less a year from Tuesday , another day of interrupted designs ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York