John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 23
... Merce Cunningham and , at various times , Jean Erdman , but also because one of his own composition pupils , Robert Dunn , taught the classes that inspired one of the most radical developments in post - Cunningham dance - the collection ...
... Merce Cunningham and , at various times , Jean Erdman , but also because one of his own composition pupils , Robert Dunn , taught the classes that inspired one of the most radical developments in post - Cunningham dance - the collection ...
Seite 25
Richard Kostelanetz. Cunningham / Cage Merce Cunningham and John Cage — sometimes they were separate , sometimes together . They began separately , Cage in Los Angeles in 1912 , Cunningham in Centralia , Washington , around 1919. They ...
Richard Kostelanetz. Cunningham / Cage Merce Cunningham and John Cage — sometimes they were separate , sometimes together . They began separately , Cage in Los Angeles in 1912 , Cunningham in Centralia , Washington , around 1919. They ...
Seite 27
Richard Kostelanetz. Once a principal performer in the Graham company , Merce Cunningham had by the late 1940s moved outside the bounds of his profession . Not only were his performances with Cage unreviewed , they were frequently ...
Richard Kostelanetz. Once a principal performer in the Graham company , Merce Cunningham had by the late 1940s moved outside the bounds of his profession . Not only were his performances with Cage unreviewed , they were frequently ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York