John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 83
Richard Kostelanetz. • A Year from Monday ( 1967 ) A Year from Monday , Cage's second collection of fugitive pieces , is rich in ideas relevant to all sorts of artistic , philosoph- ical , and social endeavors . Cage was so emancipated ...
Richard Kostelanetz. • A Year from Monday ( 1967 ) A Year from Monday , Cage's second collection of fugitive pieces , is rich in ideas relevant to all sorts of artistic , philosoph- ical , and social endeavors . Cage was so emancipated ...
Seite 89
... Monday is a more readable , communicative , and artistically suggestive book than its predecessor . A major theme of A Year from Monday is fortuitous hap- penstance , as the book is riddled with observations on how delightfully random ...
... Monday is a more readable , communicative , and artistically suggestive book than its predecessor . A major theme of A Year from Monday is fortuitous hap- penstance , as the book is riddled with observations on how delightfully random ...
Seite 91
... Monday represents a clear stylistic progression beyond the prose in Silence ; for if an implicit motif of the earlier book was his quest for a literary style that would both express his thoughts and illustrate his esthetic ideas , Cage ...
... Monday represents a clear stylistic progression beyond the prose in Silence ; for if an implicit motif of the earlier book was his quest for a literary style that would both express his thoughts and illustrate his esthetic ideas , Cage ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York