John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 23
... Morton Feldman , James Tenney and Christian Wolff . Influ- enced in part by Cage's example , the European composers Pierre Boulez and Karlheinz Stockhausen introduced aleatoric elements into their previously fixed pieces . Even the ...
... Morton Feldman , James Tenney and Christian Wolff . Influ- enced in part by Cage's example , the European composers Pierre Boulez and Karlheinz Stockhausen introduced aleatoric elements into their previously fixed pieces . Even the ...
Seite 71
... Morton Feldman , with funding from Paul Williams . I made the Williams Mix then . All of that work was done with excitement over the possibilities of mag- netic tape , and they were various . That's why I was anxious not to exploit them ...
... Morton Feldman , with funding from Paul Williams . I made the Williams Mix then . All of that work was done with excitement over the possibilities of mag- netic tape , and they were various . That's why I was anxious not to exploit them ...
Seite 72
... Morton Feldman . Earle's piece was made with the rubbish from the pieces by Feldman and Wolff and myself . Using similar compositional operations ? Using his own composing means , but with regard to the sounds that were , so to speak ...
... Morton Feldman . Earle's piece was made with the rubbish from the pieces by Feldman and Wolff and myself . Using similar compositional operations ? Using his own composing means , but with regard to the sounds that were , so to speak ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York