John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 49
... music from Mozart to the present on one hand and scrupulously uninflected microtonal din on the other . In Williams Mix Cage used the newly developed technology of audiotape for a capa- 49 The Keystones of the Cagean Canon.
... music from Mozart to the present on one hand and scrupulously uninflected microtonal din on the other . In Williams Mix Cage used the newly developed technology of audiotape for a capa- 49 The Keystones of the Cagean Canon.
Seite 101
... Mozart . Two more harpsichordists , Neely Bruce and Yuji Takahashi , played through differing but individ- ually fixed collages of harpsichord music from Mozart to the present , while David Tudor played a " computer printout for twelve ...
... Mozart . Two more harpsichordists , Neely Bruce and Yuji Takahashi , played through differing but individ- ually fixed collages of harpsichord music from Mozart to the present , while David Tudor played a " computer printout for twelve ...
Seite 151
... Mozart to the present ; in the single available recording these harpsichords tend to stand out from the mix to much the same degree that 151 ROARATORIO ( 1989 ) : JOHN CAGE AS A RADIO Artist Roaratorio (1989): John Cage as a Radio Artist.
... Mozart to the present ; in the single available recording these harpsichords tend to stand out from the mix to much the same degree that 151 ROARATORIO ( 1989 ) : JOHN CAGE AS A RADIO Artist Roaratorio (1989): John Cage as a Radio Artist.
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York