John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 119
... Mureau and Empty Words ; here's some of his thoughts . Having agreed to write a text about electronic music , and having noticed that HDT - that's Thoreau - listened to sound as elec- tronic composers listen to it , not just to musical ...
... Mureau and Empty Words ; here's some of his thoughts . Having agreed to write a text about electronic music , and having noticed that HDT - that's Thoreau - listened to sound as elec- tronic composers listen to it , not just to musical ...
Seite 120
... Mureau ? I wanted to make a text that would have four parts , and it was written for a magazine in Minneapolis called Synthesis . And they were written to be columns . I was a columnist for the magazine . I don't think of these texts as ...
... Mureau ? I wanted to make a text that would have four parts , and it was written for a magazine in Minneapolis called Synthesis . And they were written to be columns . I was a columnist for the magazine . I don't think of these texts as ...
Seite 123
... Mureau as were used in Empty Words ? Yes . Then why is Mureau generally written continuously , like prose ? Mureau was a column to be printed in a magazine , and Empty Words is a lecture . In fact , the whole thing is , through chance ...
... Mureau as were used in Empty Words ? Yes . Then why is Mureau generally written continuously , like prose ? Mureau was a column to be printed in a magazine , and Empty Words is a lecture . In fact , the whole thing is , through chance ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York