John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 78
... Roaratorio ? Well , the number of individual tapes that could be used to make up the total . I don't think we've ever had a performance with more than , say , twenty - eight machines , whereas we had a performance of HPSCHD with fifty ...
... Roaratorio ? Well , the number of individual tapes that could be used to make up the total . I don't think we've ever had a performance with more than , say , twenty - eight machines , whereas we had a performance of HPSCHD with fifty ...
Seite 150
... Roaratorio . Begun over a decade ago as a commission for West German radio , Roaratorio has been broadcast over public stations around the world ; it also became the score for a superlative Merce Cunningham choreography . However , only ...
... Roaratorio . Begun over a decade ago as a commission for West German radio , Roaratorio has been broadcast over public stations around the world ; it also became the score for a superlative Merce Cunningham choreography . However , only ...
Seite 151
... Roaratorio falls securely into the second tradition . The continuous bass , or cantus firmus , if you will , is the sound of Cage himself reading . On top of that is an abundant mix of sounds in which the most sustained presence is ...
... Roaratorio falls securely into the second tradition . The continuous bass , or cantus firmus , if you will , is the sound of Cage himself reading . On top of that is an abundant mix of sounds in which the most sustained presence is ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York