John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 15
... Schoenberg , the Viennese composer who had recently emigrated to Los Angeles , to give him free lessons in exchange for the promise mentioned before . Despite Schoenberg's generosity , Cage found the Euro- pean serial techniques ...
... Schoenberg , the Viennese composer who had recently emigrated to Los Angeles , to give him free lessons in exchange for the promise mentioned before . Despite Schoenberg's generosity , Cage found the Euro- pean serial techniques ...
Seite 26
... Schoenberg , who had emigrated there . Though Schoenberg thought enough of Cage to give him free lessons , he eventually told the young man he lacked talent for harmony . In the sort of gesture that seems at once typical of avant ...
... Schoenberg , who had emigrated there . Though Schoenberg thought enough of Cage to give him free lessons , he eventually told the young man he lacked talent for harmony . In the sort of gesture that seems at once typical of avant ...
Seite 182
... Schoenberg arrives in U.S. , never returning to Germany Four Saints in Three Acts by Virgil Thomson and Gertrude Stein premiered 1934 Returns to California ; studies with Schoenberg 1935 Marries Xenia Alban Berg dies Andreyevna ...
... Schoenberg arrives in U.S. , never returning to Germany Four Saints in Three Acts by Virgil Thomson and Gertrude Stein premiered 1934 Returns to California ; studies with Schoenberg 1935 Marries Xenia Alban Berg dies Andreyevna ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York