John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 55
Richard Kostelanetz. • Sonatas and Interludes ( 1946-1948 ) The he Sonatas and Interludes for Prepared Piano represents the culmination of Cage's work with the solo prepared piano , which had been his initial musical invention a decade ...
Richard Kostelanetz. • Sonatas and Interludes ( 1946-1948 ) The he Sonatas and Interludes for Prepared Piano represents the culmination of Cage's work with the solo prepared piano , which had been his initial musical invention a decade ...
Seite 56
... Sonatas and Interludes also belong among other exhaustive modern masterpieces for the piano : Shostakovitch's Preludes and Fugues ( 1950-1951 ) , Hindemith's Ludus Tonalis ( 1943 ) , Messiaen's Vingt regards sur l'enfant Jesus ( 1944 ) ...
... Sonatas and Interludes also belong among other exhaustive modern masterpieces for the piano : Shostakovitch's Preludes and Fugues ( 1950-1951 ) , Hindemith's Ludus Tonalis ( 1943 ) , Messiaen's Vingt regards sur l'enfant Jesus ( 1944 ) ...
Seite 57
... sonatas are written in AABB rhythmic structures of varying proportions , where the first two interludes have no structural repetitions . This differ- ence is exchanged in the last two interludes and the sonatas nine through eleven which ...
... sonatas are written in AABB rhythmic structures of varying proportions , where the first two interludes have no structural repetitions . This differ- ence is exchanged in the last two interludes and the sonatas nine through eleven which ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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