John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 39
... Thoreau and then James Joyce . For Mureau , the first of his Thoreau pieces , he extracted Henry David Thoreau's remarks about music and then reworked them by chance processes into continuous language that in certain qualities resembles ...
... Thoreau and then James Joyce . For Mureau , the first of his Thoreau pieces , he extracted Henry David Thoreau's remarks about music and then reworked them by chance processes into continuous language that in certain qualities resembles ...
Seite 117
... Thoreau's remarks about music and sound . Cage copied relevant passages out of Thoreau's journals and then subjected them to I Ching - aided chance processes that , in effect , scrambled and combined them , eventually pro- ducing a ...
... Thoreau's remarks about music and sound . Cage copied relevant passages out of Thoreau's journals and then subjected them to I Ching - aided chance processes that , in effect , scrambled and combined them , eventually pro- ducing a ...
Seite 119
... Thoreau - listened to sound as elec- tronic composers listen to it , not just to musical sounds but to noises and ... Thoreau and sentences out of Thoreau and words out of Thoreau . First I listed all the things having to do with sound ...
... Thoreau - listened to sound as elec- tronic composers listen to it , not just to musical sounds but to noises and ... Thoreau and sentences out of Thoreau and words out of Thoreau . First I listed all the things having to do with sound ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York