John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 19
... University ; from then on he con- sidered himself a devotee of Zen Buddhism . ( He recalled that when he told his mother about receiving a one - year appoint- ment at Wesleyan University , she replied , " Do they know you're a Zen ...
... University ; from then on he con- sidered himself a devotee of Zen Buddhism . ( He recalled that when he told his mother about receiving a one - year appoint- ment at Wesleyan University , she replied , " Do they know you're a Zen ...
Seite 178
... University Press tend to be collections of short pieces , both expository and experimental , which are by turns accessible and impenetrable , gathered in no particular order and thus usually disappointing to those accustomed to reading ...
... University Press tend to be collections of short pieces , both expository and experimental , which are by turns accessible and impenetrable , gathered in no particular order and thus usually disappointing to those accustomed to reading ...
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... 14-1996 NOV 4 1996 APR 1 6 2000 FEB 0 2 2001 MAR 16 2001 NOV 17 1997 NOV 2 6 00 JUN 08 1998 MAY 11998 UL 1 3 2001 JAN 17 2004 DEC 07 1998 FEB 0 4 2007 JAN 05 2008 JUN 01 1999 JAN 24 2000 JAN ? 9 DEME JAN 17 2004 UNIVERSITY OF MICHIGAN.
... 14-1996 NOV 4 1996 APR 1 6 2000 FEB 0 2 2001 MAR 16 2001 NOV 17 1997 NOV 2 6 00 JUN 08 1998 MAY 11998 UL 1 3 2001 JAN 17 2004 DEC 07 1998 FEB 0 4 2007 JAN 05 2008 JUN 01 1999 JAN 24 2000 JAN ? 9 DEME JAN 17 2004 UNIVERSITY OF MICHIGAN.
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York