John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 35
... ( 1952 ) , the notorious silent piece in which the inferred aural experience must likewise be unfocused and without hierarchy , but in Williams Mix ( 1952 ) , a tape collage that I personally take to be the principal neglected masterpiece ...
... ( 1952 ) , the notorious silent piece in which the inferred aural experience must likewise be unfocused and without hierarchy , but in Williams Mix ( 1952 ) , a tape collage that I personally take to be the principal neglected masterpiece ...
Seite 49
... Williams Mix ( 1952 ) , The Sonatas and Interludes for Prepared Piano ( 1946–1948 ) , and no more than one other . ( In several interviews , Cage him- self said his best single work was 4′33 ′′ [ 1952 ] , his so - called silent piece ...
... Williams Mix ( 1952 ) , The Sonatas and Interludes for Prepared Piano ( 1946–1948 ) , and no more than one other . ( In several interviews , Cage him- self said his best single work was 4′33 ′′ [ 1952 ] , his so - called silent piece ...
Seite 154
... Williams Mix ( 1952 ) . For this maximal work he gathered taped sounds from a universe of sources ; these tapes were cut into small pieces , some much shorter than audiotape is wide , and then spliced together into an aural pastiche ...
... Williams Mix ( 1952 ) . For this maximal work he gathered taped sounds from a universe of sources ; these tapes were cut into small pieces , some much shorter than audiotape is wide , and then spliced together into an aural pastiche ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York