John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 118
... Words contains only the second of Cage's work- ings with the Wake ; the first , longer Joyce piece appeared ini- tially as a special issue of the James Joyce Quarterly and has since been reissued as a book , Writing Through Finnegans ...
... Words contains only the second of Cage's work- ings with the Wake ; the first , longer Joyce piece appeared ini- tially as a special issue of the James Joyce Quarterly and has since been reissued as a book , Writing Through Finnegans ...
Seite 119
... Words and Writings Through Finnegans Wake are language - based , they fit snugly into the great American tradition of poetry that realizes an eccentric innovation in the machinery of the art - a radical change not in meaning or in ...
... Words and Writings Through Finnegans Wake are language - based , they fit snugly into the great American tradition of poetry that realizes an eccentric innovation in the machinery of the art - a radical change not in meaning or in ...
Seite 150
... in 1978 with Klaus Schöning's invitation to Cage to read aloud one of his Writings Through Finnegans Wake . These are a series of Cagean texts in which Cage extracts sequentially certain words from Joyce's classic and then sets them on ...
... in 1978 with Klaus Schöning's invitation to Cage to read aloud one of his Writings Through Finnegans Wake . These are a series of Cagean texts in which Cage extracts sequentially certain words from Joyce's classic and then sets them on ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York