John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 38
... acoustics over the past few centuries, the underly- ing physics of acoustic waves is rather mature, and classical acoustic principles have proven to be extremely useful in achieving a qualitative physical understanding of acoustic ...
... acoustics over the past few centuries, the underly- ing physics of acoustic waves is rather mature, and classical acoustic principles have proven to be extremely useful in achieving a qualitative physical understanding of acoustic ...
Seite 222
... acoustic absorptivity , normal - incidence absorption coefficient Schallschluckmaterial n sound - absorbing ma- terial , sound absorber , sound absorbant , sound - deadening material , acoustic - absorb- ing material , sound - deadening ...
... acoustic absorptivity , normal - incidence absorption coefficient Schallschluckmaterial n sound - absorbing ma- terial , sound absorber , sound absorbant , sound - deadening material , acoustic - absorb- ing material , sound - deadening ...
Seite 319
... Acoustic band gap, 34, 44, 48, 55 Acoustic beam, 125, 126, 205, 206, 208, 211 Acoustic carpet cloak, 169, 175, 177, 180, 192 Acoustic carpet cloaking, 173, 174 Acoustic cloak, 211, 213, 214, 219, 228, 230, 232, 233, 235, 237 Acoustic ...
... Acoustic band gap, 34, 44, 48, 55 Acoustic beam, 125, 126, 205, 206, 208, 211 Acoustic carpet cloak, 169, 175, 177, 180, 192 Acoustic carpet cloaking, 173, 174 Acoustic cloak, 211, 213, 214, 219, 228, 230, 232, 233, 235, 237 Acoustic ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York