John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 31
... audiotape , which was likewise about realizing acoustically with technology what could not be done with physically limited live performers . Initially both men found their most loyal audience not among composers and dancers but among ...
... audiotape , which was likewise about realizing acoustically with technology what could not be done with physically limited live performers . Initially both men found their most loyal audience not among composers and dancers but among ...
Seite 154
... audiotape , which is so familiar to us now we tend to forget that it became commonly available only after World War II . Prior to that , sound was recorded on continuous wire that , while it could be cut , could not be spliced easily ...
... audiotape , which is so familiar to us now we tend to forget that it became commonly available only after World War II . Prior to that , sound was recorded on continuous wire that , while it could be cut , could not be spliced easily ...
Seite 155
... audiotape in that it was composed from many parts that were separately recorded ( in fact , on two continents , at different times ) . Insofar as I can understand German , I think the work very good , filled as it is with interesting ...
... audiotape in that it was composed from many parts that were separately recorded ( in fact , on two continents , at different times ) . Insofar as I can understand German , I think the work very good , filled as it is with interesting ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York