John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 7
... avant - garde . ” For over fifty years , Cage worked on the frontiers of modern music and art ; and as each phase of his career attracted greater support and more imitators , Cage himself progressed even fur- ther into unfamiliar ...
... avant - garde . ” For over fifty years , Cage worked on the frontiers of modern music and art ; and as each phase of his career attracted greater support and more imitators , Cage himself progressed even fur- ther into unfamiliar ...
Seite 82
... avant - garde contemporary radio , especially as it is produced in Germany , can identify Indetermi- nacy as early Neue Hörspiel in that it is primarily an innovative acoustic experience , involving speech as well as sounds . Indeed ...
... avant - garde contemporary radio , especially as it is produced in Germany , can identify Indetermi- nacy as early Neue Hörspiel in that it is primarily an innovative acoustic experience , involving speech as well as sounds . Indeed ...
Seite 90
... avant - garde readers , or that purchasers do not need to cut open the pages ( perhaps to their own designs ) to read them , or that the lectures and essays and such are reprinted in more or less chronological order ( as if to ...
... avant - garde readers , or that purchasers do not need to cut open the pages ( perhaps to their own designs ) to read them , or that the lectures and essays and such are reprinted in more or less chronological order ( as if to ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York