John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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... beginning with nonpitched “ noises , ” which he thought should be heard as music " whether we're in or out of the concert hall . " Though some consider Cage an apostle of " chance , " I think of him as an extremely fecund inventor who ...
... beginning with nonpitched “ noises , ” which he thought should be heard as music " whether we're in or out of the concert hall . " Though some consider Cage an apostle of " chance , " I think of him as an extremely fecund inventor who ...
Seite 81
... beginning of the piece and none necessarily an end ; they resemble slips of paper that are picked at random from a ... beginnings and no definite ends . Quite simply they began apart from each other and played until time ran out . Since ...
... beginning of the piece and none necessarily an end ; they resemble slips of paper that are picked at random from a ... beginnings and no definite ends . Quite simply they began apart from each other and played until time ran out . Since ...
Seite 178
... beginning to end . Some of my own frustration with them appears in my critical comments in this book . These titles include Silence ( 1961 ) , A Year from Monday ( 1967 ) , M ( 1973 ) , Empty Words ( 1979 ) , and X ( 1983 , 1986 ) . I ...
... beginning to end . Some of my own frustration with them appears in my critical comments in this book . These titles include Silence ( 1961 ) , A Year from Monday ( 1967 ) , M ( 1973 ) , Empty Words ( 1979 ) , and X ( 1983 , 1986 ) . I ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York