John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 37
... chance operations , as translated into terms suitable for con- sulting the I Ching . Now that I have acknowledged Cage's use of the I Ching , I must confront his notorious interest in " chance . " It has been my assumption , in over ...
... chance operations , as translated into terms suitable for con- sulting the I Ching . Now that I have acknowledged Cage's use of the I Ching , I must confront his notorious interest in " chance . " It has been my assumption , in over ...
Seite 88
... chance operations how many parts of the mosaic I would write and how many words there would be in each . . . . I used an IBM Selec- tric typewriter to print my text . I used twelve different type - faces , letting chance operations ...
... chance operations how many parts of the mosaic I would write and how many words there would be in each . . . . I used an IBM Selec- tric typewriter to print my text . I used twelve different type - faces , letting chance operations ...
Seite 123
... chance operations , put in the form of stanzas . That is to say that one part of it is separated from another part . And the parts were determined by the appearance of a period following whatever word , syllable , or letters that were ...
... chance operations , put in the form of stanzas . That is to say that one part of it is separated from another part . And the parts were determined by the appearance of a period following whatever word , syllable , or letters that were ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York