John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 8
... chaotic " language of contemporary music , as distinct from the main- stream language - Copland , Britten , and middle period Stravin- sky — and the serial language , initiated by Arnold Schoenberg and propagated by Anton Webern ...
... chaotic " language of contemporary music , as distinct from the main- stream language - Copland , Britten , and middle period Stravin- sky — and the serial language , initiated by Arnold Schoenberg and propagated by Anton Webern ...
Seite 85
... chaotic experience , so it is likewise irrelevant to evaluate one conglomeration of noise against another . What matters , quite simply , is what the perspicacious ear manages to apprehend if not appreciate . " Value judgments are ...
... chaotic experience , so it is likewise irrelevant to evaluate one conglomeration of noise against another . What matters , quite simply , is what the perspicacious ear manages to apprehend if not appreciate . " Value judgments are ...
Seite 104
... chaotic art all over an enormous space ; and in the increased quantity was a particular kind of quality never before experienced in either art or life . In the future , let HPSCHD turn on even larger spaces , like Madison Square Garden ...
... chaotic art all over an enormous space ; and in the increased quantity was a particular kind of quality never before experienced in either art or life . In the future , let HPSCHD turn on even larger spaces , like Madison Square Garden ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York