John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 25
... choreography . The first generation , led by Isadora Duncan , rejected the tone and devices of classical ballet ... choreographers danced on stan- dard theatrical stages to conventionally tonal music , the rhythm of their movements ...
... choreography . The first generation , led by Isadora Duncan , rejected the tone and devices of classical ballet ... choreographers danced on stan- dard theatrical stages to conventionally tonal music , the rhythm of their movements ...
Seite 28
... choreographers posit- ed a central theme that informed all the parts , which in turn reinforced the initial concept ... choreography depended first upon his tight - jointedness - he could leap but he could not stretch - and then upon ...
... choreographers posit- ed a central theme that informed all the parts , which in turn reinforced the initial concept ... choreography depended first upon his tight - jointedness - he could leap but he could not stretch - and then upon ...
Seite 31
... choreographers . At the time , a typical Cagean piece consisted of silences punctuated by earsplitting amplified ... choreographer , he would , by contrast , probably have thought of how to transcend those limits and let me speculate ...
... choreographers . At the time , a typical Cagean piece consisted of silences punctuated by earsplitting amplified ... choreographer , he would , by contrast , probably have thought of how to transcend those limits and let me speculate ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York