John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
Im Buch
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Seite 12
... composed one half of enthusiasm , the other half of irony , “ The music I prefer , even to my own and everything , is what we hear if we are just quiet . " Accepting the implications of all his actions , Cage deduced that the most ...
... composed one half of enthusiasm , the other half of irony , “ The music I prefer , even to my own and everything , is what we hear if we are just quiet . " Accepting the implications of all his actions , Cage deduced that the most ...
Seite 13
... composed by transferring the patterns of stars from an atlas to sheets of music paper , offers eighty - six instrumental parts “ to be played in whole or part , for any duration , in any ensemble , chamber or orchestral , of the above ...
... composed by transferring the patterns of stars from an atlas to sheets of music paper , offers eighty - six instrumental parts “ to be played in whole or part , for any duration , in any ensemble , chamber or orchestral , of the above ...
Seite 52
... composed . " Cage at the time had been collecting an arsenal of percussion instru- ments , so that his doctoring of the piano , usually by inserting bolts or large wooden screws between the strings , connected one instrumental ...
... composed . " Cage at the time had been collecting an arsenal of percussion instru- ments , so that his doctoring of the piano , usually by inserting bolts or large wooden screws between the strings , connected one instrumental ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York