John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
Im Buch
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Seite 22
... composition . " In the late 1960s Cage compiled a rich book of modern composi- tional notation - an anthology of manuscripts by the major modern composers - partially to benefit the Foundation for Contemporary Performance Arts , which ...
... composition . " In the late 1960s Cage compiled a rich book of modern composi- tional notation - an anthology of manuscripts by the major modern composers - partially to benefit the Foundation for Contemporary Performance Arts , which ...
Seite 23
... composition pupils , Robert Dunn , taught the classes that inspired one of the most radical developments in post - Cunningham dance - the collection of adventurous performance activities of the Judson Church movement . Cage's influence ...
... composition pupils , Robert Dunn , taught the classes that inspired one of the most radical developments in post - Cunningham dance - the collection of adventurous performance activities of the Judson Church movement . Cage's influence ...
Seite 91
... composition . Indeed , by making art out of materials not usually familiar to art , Cage , along with his mentor Marcel Duchamp , also provided antithetical prece- dents for pop art , found objects , industrial sculpture , and much else ...
... composition . Indeed , by making art out of materials not usually familiar to art , Cage , along with his mentor Marcel Duchamp , also provided antithetical prece- dents for pop art , found objects , industrial sculpture , and much else ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York