John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 22
... critic at The New York Times , “ and each page has a calligraphic beau- ty quite apart from its function as a ... critics , and choreographers . Indeed , no single figure in the American arts influenced so many first - rank creative ...
... critic at The New York Times , “ and each page has a calligraphic beau- ty quite apart from its function as a ... critics , and choreographers . Indeed , no single figure in the American arts influenced so many first - rank creative ...
Seite 31
... critic suggested , not unreasonably , that Cunningham might hence succeed with the Philharmonic audience if he dumped Cage . In The Village Voice , Jill Johnston , its dance critic at the time , responded that such bowdlerization would ...
... critic suggested , not unreasonably , that Cunningham might hence succeed with the Philharmonic audience if he dumped Cage . In The Village Voice , Jill Johnston , its dance critic at the time , responded that such bowdlerization would ...
Seite 32
... critic Irving Sandler , " Any experimental musician in the twen- tieth century has had to rely on painters , because they were the lively changers of art to begin with . ” In the early 1960s Cun- ningham's principal patrons included the ...
... critic Irving Sandler , " Any experimental musician in the twen- tieth century has had to rely on painters , because they were the lively changers of art to begin with . ” In the early 1960s Cun- ningham's principal patrons included the ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York