John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 29
... dancers would not hear the music until just before the performance ; for as early as 1939 , Cage advocated " the simultaneous composition of both dance and music . " Cun- ningham has always identified Cage as the principal influence ...
... dancers would not hear the music until just before the performance ; for as early as 1939 , Cage advocated " the simultaneous composition of both dance and music . " Cun- ningham has always identified Cage as the principal influence ...
Seite 30
... dance demands not the empathy of the spectator but , as Cage once explained , “ your faculty of kinesthetic sympathy ... dancers move at different speeds and individual musicians play at different tempi , often simultane- ously . In the ...
... dance demands not the empathy of the spectator but , as Cage once explained , “ your faculty of kinesthetic sympathy ... dancers move at different speeds and individual musicians play at different tempi , often simultane- ously . In the ...
Seite 31
... dancers . About the former limitation he once told an interviewer , “ With dancing we're locked into the fact that it's the human body doing the action . There are two legs ; the arms move a certain number of ways ; the knees only bend ...
... dancers . About the former limitation he once told an interviewer , “ With dancing we're locked into the fact that it's the human body doing the action . There are two legs ; the arms move a certain number of ways ; the knees only bend ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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