John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 12
... esthetic experience . As such , it illustrates the art historian George Kubler's classic observation , in The Shape of Time ( 1962 ) , that " The work of many artists often comes closer to philosophical speculation than most esthetic ...
... esthetic experience . As such , it illustrates the art historian George Kubler's classic observation , in The Shape of Time ( 1962 ) , that " The work of many artists often comes closer to philosophical speculation than most esthetic ...
Seite 27
... esthetic pleasure by itself , it will also function to instigate that particular feeling in the spectator . The intellectual achievement of Langer's esthetics was a richly supported theory of art - as - emotion that avoided traditional ...
... esthetic pleasure by itself , it will also function to instigate that particular feeling in the spectator . The intellectual achievement of Langer's esthetics was a richly supported theory of art - as - emotion that avoided traditional ...
Seite 95
... esthetic preoccupations , and structural stan- dards from the other arts to ensure that something between , or intermedia , is created . Almost by definition , all miscegenated art ridicules the pigeonholes of both current critical ...
... esthetic preoccupations , and structural stan- dards from the other arts to ensure that something between , or intermedia , is created . Almost by definition , all miscegenated art ridicules the pigeonholes of both current critical ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York