John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 62
... film . Tape wasn't yet , in the early forties , recognized as a suitable musical means ; but wire and film were . Did you work with them yourself ? No , I just wanted to . I wrote letters , I think it was in '41 or '42 , to corporations ...
... film . Tape wasn't yet , in the early forties , recognized as a suitable musical means ; but wire and film were . Did you work with them yourself ? No , I just wanted to . I wrote letters , I think it was in '41 or '42 , to corporations ...
Seite 75
... film about his work . I had two ideas in mind . One was that and the other was to write a piece of music , such as my Sonatas and Interludes or A Valentine Out of Season [ 1944 ] or The Perilous Night [ 1944 ] or something that would ...
... film about his work . I had two ideas in mind . One was that and the other was to write a piece of music , such as my Sonatas and Interludes or A Valentine Out of Season [ 1944 ] or The Perilous Night [ 1944 ] or something that would ...
Seite 76
... film was about the mobiles of Calder , to go into his studio and tape the sounds of mobiles bumping into one another as the proper accompaniment for such a film . And again to take those sounds straight - not to modify them in any way ...
... film was about the mobiles of Calder , to go into his studio and tape the sounds of mobiles bumping into one another as the proper accompaniment for such a film . And again to take those sounds straight - not to modify them in any way ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York