John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 18
... hear it . Therefore , if the composer has any function at all , it should be , Cage said , teaching people to keep attuned to all the implicit music that their environment offers . Follow- ing the logic of this position , he admitted ...
... hear it . Therefore , if the composer has any function at all , it should be , Cage said , teaching people to keep attuned to all the implicit music that their environment offers . Follow- ing the logic of this position , he admitted ...
Seite 62
... hear her sing , always on Sundays in church and sometimes on weekdays at home . Then in college , at Pomona , I met a Japanese tennis player who had some kind of physical trouble as a result of playing tennis . So he was resting by ...
... hear her sing , always on Sundays in church and sometimes on weekdays at home . Then in college , at Pomona , I met a Japanese tennis player who had some kind of physical trouble as a result of playing tennis . So he was resting by ...
Seite 127
... hear when I hear you reading it , in per- formance or on the record ? What would I hear when I hear myself reading it ? I think that this is a question that changes with each listener . There are people , as you know , who are 127 EMPTY ...
... hear when I hear you reading it , in per- formance or on the record ? What would I hear when I hear myself reading it ? I think that this is a question that changes with each listener . There are people , as you know , who are 127 EMPTY ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York