John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 86
... heard together ; but because he was less interested in barbed juxtaposition than abundant mixtures , the result is less collage than something distinctly Cagean . That roughly explains why an experienced ear , though it may not have heard ...
... heard together ; but because he was less interested in barbed juxtaposition than abundant mixtures , the result is less collage than something distinctly Cagean . That roughly explains why an experienced ear , though it may not have heard ...
Seite 129
... heard you perform Part Four at St. Marks Church in the spring of 1975. Then you spoke it ; since then , I've heard that you've developed a singing style for it . A chanting , yes . Well , it was part 129 EMPTY WORDS ( 1974-1975 )
... heard you perform Part Four at St. Marks Church in the spring of 1975. Then you spoke it ; since then , I've heard that you've developed a singing style for it . A chanting , yes . Well , it was part 129 EMPTY WORDS ( 1974-1975 )
Seite 176
... heard first three decades ago and the only one I knew for many years . I once heard a sophisticated New York classical disk jockey recommend it as well for " the quality of the prepa- rations . " On second thought , however , neither of ...
... heard first three decades ago and the only one I knew for many years . I once heard a sophisticated New York classical disk jockey recommend it as well for " the quality of the prepa- rations . " On second thought , however , neither of ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York