John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 22
... ideas taken mostly from Marshall McLuhan , Buckminster Fuller ( an old friend from their days together at Black Mountain ) , Norman O. Brown , and Robert Theobald . In general , Cage forecast the time when autonomous technology would ...
... ideas taken mostly from Marshall McLuhan , Buckminster Fuller ( an old friend from their days together at Black Mountain ) , Norman O. Brown , and Robert Theobald . In general , Cage forecast the time when autonomous technology would ...
Seite 76
... ideas . The sounds of Calder's studio relate back to your idea of the sounds for the Patchen piece . Yes . Since this film was about the mobiles of Calder , to go into his studio and tape the sounds of mobiles bumping into one another ...
... ideas . The sounds of Calder's studio relate back to your idea of the sounds for the Patchen piece . Yes . Since this film was about the mobiles of Calder , to go into his studio and tape the sounds of mobiles bumping into one another ...
Seite 83
... ideas relevant to all sorts of artistic , philosoph- ical , and social endeavors . Cage was so emancipated from pro- fessional conventions that he could freely follow his imagination into any medium and risk innovative work in areas ...
... ideas relevant to all sorts of artistic , philosoph- ical , and social endeavors . Cage was so emancipated from pro- fessional conventions that he could freely follow his imagination into any medium and risk innovative work in areas ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York