John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 82
... imaginative con- straints . The idea of the poetry - jazz duets was that speaker and musicians would respond to one another , each spontaneously trying to reinforce the other , customarily in habitual ways . The principle of ...
... imaginative con- straints . The idea of the poetry - jazz duets was that speaker and musicians would respond to one another , each spontaneously trying to reinforce the other , customarily in habitual ways . The principle of ...
Seite 90
... imaginative than most authors , including many of those who consider themselves " avant - garde , " he neglects all the leaps his bias suggests . First of all , his headnotes to each essay are written in expository grammar ; but , even ...
... imaginative than most authors , including many of those who consider themselves " avant - garde , " he neglects all the leaps his bias suggests . First of all , his headnotes to each essay are written in expository grammar ; but , even ...
Seite 162
... daily redistribution really represents is a symbol of kineticism — a symbol that must be imaginative- ly interpreted ( with some curatorial coaching ) for its ulterior meaning to be derived ; but nothing in art was 162 • The Legacy.
... daily redistribution really represents is a symbol of kineticism — a symbol that must be imaginative- ly interpreted ( with some curatorial coaching ) for its ulterior meaning to be derived ; but nothing in art was 162 • The Legacy.
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York