John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 2
... indeterminacy • interpenetration • • mitation devation • cingumstances method • structure • intention • notation discipline • notation • indeterminacy • interpenetration • imitation • indeterminacy . circumstances • method • structure ...
... indeterminacy • interpenetration • • mitation devation • cingumstances method • structure • intention • notation discipline • notation • indeterminacy • interpenetration • imitation • indeterminacy . circumstances • method • structure ...
Seite 14
... indeterminate in action , and yet fixed in space ( the enclosed performance area ) , they are closer to staged hap ... Indeterminacy ( 1959 ) , recorded on a Folkways record , is an imaginative esthetic demonstration in the form of a ...
... indeterminate in action , and yet fixed in space ( the enclosed performance area ) , they are closer to staged hap ... Indeterminacy ( 1959 ) , recorded on a Folkways record , is an imaginative esthetic demonstration in the form of a ...
Seite 82
... indeterminacy differs from improvisa- tion because indeterminacy incorporates imaginative con- straints . The idea of the poetry - jazz duets was that speaker and musicians would respond to one another , each spontaneously trying to ...
... indeterminacy differs from improvisa- tion because indeterminacy incorporates imaginative con- straints . The idea of the poetry - jazz duets was that speaker and musicians would respond to one another , each spontaneously trying to ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York