John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 52
... instrument , " Cage later noted , " arose through the desire to make an accompani- ment , without employing percussion instruments , suitable for the dance by Syvilla Fort for which it was composed . " Cage at the time had been ...
... instrument , " Cage later noted , " arose through the desire to make an accompani- ment , without employing percussion instruments , suitable for the dance by Syvilla Fort for which it was composed . " Cage at the time had been ...
Seite 58
... instruments . How did you use records as instruments ? Well , the record makes a sound and the speed of the record changes the pitch of it , and the turntables that we had then one no longer sees ; but each one had a clutch - you could ...
... instruments . How did you use records as instruments ? Well , the record makes a sound and the speed of the record changes the pitch of it , and the turntables that we had then one no longer sees ; but each one had a clutch - you could ...
Seite 63
... instruments like the instruments of Luigi Russolo . My letter , which I wrote and sent to all these corporations and universities , always began with the history of experimental music in the twentieth century and that begins , I think ...
... instruments like the instruments of Luigi Russolo . My letter , which I wrote and sent to all these corporations and universities , always began with the history of experimental music in the twentieth century and that begins , I think ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York