John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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... inventive organizing principles , such as a twenty - five - tone system ; and distorted instrumental sounds , such as that made by immersing a gong in water . In 1937 he wrote this stunningly prophetic speculation : " I believe that the ...
... inventive organizing principles , such as a twenty - five - tone system ; and distorted instrumental sounds , such as that made by immersing a gong in water . In 1937 he wrote this stunningly prophetic speculation : " I believe that the ...
Seite 29
... inventive . Assimilating Cage's interests in autonomy and chance , Cunningham defied tradition by allowing parts of the dancer's body to function disjunctively and nonsynchronously . Once , in Untitled Solo ( 1953 ) , he listed the ...
... inventive . Assimilating Cage's interests in autonomy and chance , Cunningham defied tradition by allowing parts of the dancer's body to function disjunctively and nonsynchronously . Once , in Untitled Solo ( 1953 ) , he listed the ...
Seite 110
... inventive instruc- tions that can be read apart from musical realization ; which is to say that the Song Books can be appreciated as a book . The instructions fall into four groups : " 1 ) song ; 2 ) song using elec- tronics ; 3 ...
... inventive instruc- tions that can be read apart from musical realization ; which is to say that the Song Books can be appreciated as a book . The instructions fall into four groups : " 1 ) song ; 2 ) song using elec- tronics ; 3 ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York