John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 8
... language of contemporary music , as distinct from the main- stream language - Copland , Britten , and middle period Stravin- sky — and the serial language , initiated by Arnold Schoenberg and propagated by Anton Webern , Milton Babbitt ...
... language of contemporary music , as distinct from the main- stream language - Copland , Britten , and middle period Stravin- sky — and the serial language , initiated by Arnold Schoenberg and propagated by Anton Webern , Milton Babbitt ...
Seite 115
... Language was the base of much of John Cage's work in the 1970s and 1980s - language that is meant to be read and spo- ken without specific pitches ( that would , by contrast , make the words song ) . These works are not essays , or even ...
... Language was the base of much of John Cage's work in the 1970s and 1980s - language that is meant to be read and spo- ken without specific pitches ( that would , by contrast , make the words song ) . These works are not essays , or even ...
Seite 117
... language : speaksix round and longer than the shelloppressed and now ten feet high hero Theclosely isor have looked wellthat and spruces the and a darker line below it This stanza comes from the first page of the first part , which ...
... language : speaksix round and longer than the shelloppressed and now ten feet high hero Theclosely isor have looked wellthat and spruces the and a darker line below it This stanza comes from the first page of the first part , which ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York